rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Recognition in Mozart's operas
  title info: title
  name:
    name part: Waldoff, Jessica
    role:
      role term: creator
  name:
    name part: Jessica Waldoff
  type of resource: text
  origin info:
    place:
      place term: xx
    place:
      place term: New York
    publisher: Oxford University Press
    date issued: 2006
    date issued: 9999
    issuance: monographic
  language:
    language term: und
  language:
    language term: eng
  physical description:
    form: print
    extent: 337 p.
    extent: 24 cm
  abstract: Since its beginnings, opera has depended on recognition as a central aspect of both plot and theme. Though a standard feature of opera, recognition--a moment of new awareness that brings about a crucial reversal in the action--has been largely neglected in opera studies. In Recognition in Mozart's Operas, musicologist Jessica Waldoff draws on a broad base of critical thought on recognition from Aristotle to Terence Cave to explore the essential role it plays in Mozart's operas. The result is a fresh approach to the familiar question of opera as drama and a persuasive new reading of Mozart's operas
  note: Jessica Waldoff
  subject:
    topic: Mozart; Wolfgang Amadeus; 1756-1791. Operas; Opera
  classification: 782.1092
  classification: J206
  identifier: 0195151976
  identifier: 9780195151978
  record info:
    record creation date: 210423
    record identifier: TVU_11999