An investigation into cognitive metaphors of “homeland” in trinh cong son’s versus bob dyland’s songs
Adopting Lakoff and Johnson’s famous Conceptual Metaphor Theory, the study looked into an investigation into the Cognitive metaphors of “Homeland” in Trinh Cong Son’s and Bob Dylan’s songs. The corpus comprises over 780 songs composed by Trinh Cong Son and Bob Dylan. The research was conducte...
שמור ב:
| פורמט: | Luận văn |
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| שפה: | English |
| יצא לאור: |
Đại học Ngoại ngữ, Đại học Đà Nẵng
2025
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| נושאים: | |
| גישה מקוונת: | https://data.ufl.udn.vn/handle/UFL/1138 |
| תגים: |
הוספת תג
אין תגיות, היה/י הראשונ/ה לתייג את הרשומה!
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| Thư viện lưu trữ: | Trường Đại học Ngoại ngữ - Đại học Đà Nẵng |
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| סיכום: | Adopting Lakoff and Johnson’s famous Conceptual Metaphor Theory,
the study looked into an investigation into the Cognitive metaphors of
“Homeland” in Trinh Cong Son’s and Bob Dylan’s songs. The corpus
comprises over 780 songs composed by Trinh Cong Son and Bob Dylan.
The research was conducted by means of questionnaires and interviews.
The results showed how the two authors made use of metaphorical
expressions of “Homeland” in their songs and hence, some similarities and
differences between the two languages were explored as well. The author
uses some methods in this study. However, the qualitative and quantitative
are regarded as the two main approaches for the survey. It is expected that
the findings will find out Cognitive Metaphors denoting the concept of
“Homeland” in Trinh Cong Son’s versus Bob Dylan’s songs. Also, the
researcher hopes interpret the similarities and differences of songs
composed by Trinh Cong Son and Bob Dylan in terms of Cognitive
Metaphors |
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