Japanese cinema : Film style and national character
Until very recently, the western world has viewed Japanese cinema through a very narrow prism. For years, Westerners interested in Japanese film have had to content themselves with the collected works of Akira Kurosawa, a spotty sampling of films by Kenji Mizoguchi and Yasujiro Ozu, gobs of anime, a...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | كتاب |
| اللغة: | Undetermined |
| منشور في: |
New York
Doubleday and Company
1971
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| الموضوعات: | |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
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| الملخص: | Until very recently, the western world has viewed Japanese cinema through a very narrow prism. For years, Westerners interested in Japanese film have had to content themselves with the collected works of Akira Kurosawa, a spotty sampling of films by Kenji Mizoguchi and Yasujiro Ozu, gobs of anime, and badly dubbed monster movies. Many great filmmakers like Mikio Naruse and Keisuke Kinoshita have remained unknown in the West, and musicals an comedies are hardly known outside Asia. This volume will help set the record straight, illustrating the history of Japanese cinema with vivid posters and stunning photography |
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