Japanese cinema : Film style and national character
Until very recently, the western world has viewed Japanese cinema through a very narrow prism. For years, Westerners interested in Japanese film have had to content themselves with the collected works of Akira Kurosawa, a spotty sampling of films by Kenji Mizoguchi and Yasujiro Ozu, gobs of anime, a...
Đã lưu trong:
| Tác giả chính: | |
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| Định dạng: | Sách |
| Ngôn ngữ: | Undetermined |
| Được phát hành: |
New York
Doubleday and Company
1971
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| Những chủ đề: | |
| Các nhãn: |
Thêm thẻ
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
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| Tóm tắt: | Until very recently, the western world has viewed Japanese cinema through a very narrow prism. For years, Westerners interested in Japanese film have had to content themselves with the collected works of Akira Kurosawa, a spotty sampling of films by Kenji Mizoguchi and Yasujiro Ozu, gobs of anime, and badly dubbed monster movies. Many great filmmakers like Mikio Naruse and Keisuke Kinoshita have remained unknown in the West, and musicals an comedies are hardly known outside Asia. This volume will help set the record straight, illustrating the history of Japanese cinema with vivid posters and stunning photography |
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