A short introduction to Japanese art
Once slighted as mere copying from China, the arts of Japan are now seen as a unique alternation of advances and withdrawals. At times the islanders produced Chinese-style works of great beauty, unmatched on the continent. When they chose to be independent, their art differs at every level. Sculptur...
Đã lưu trong:
| Tác giả chính: | |
|---|---|
| Định dạng: | Sách |
| Ngôn ngữ: | Undetermined |
| Được phát hành: |
London
Seeley
1954
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| Những chủ đề: | |
| Các nhãn: |
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
|---|
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| 245 | 2 | |a A short introduction to Japanese art | |
| 245 | 0 | |c Romy Fink | |
| 260 | |a London | ||
| 260 | |b Seeley | ||
| 260 | |c 1954 | ||
| 520 | |a Once slighted as mere copying from China, the arts of Japan are now seen as a unique alternation of advances and withdrawals. At times the islanders produced Chinese-style works of great beauty, unmatched on the continent. When they chose to be independent, their art differs at every level. Sculpture, and even more painting, are concrete, sensuous, and emotional, speaking directly to all. All that was most native in architectural taste survived the periods of Chinese monumentality - huge temples and gridiron city plans - with little change. The rambling, wood-paper-and-bamboo dwelling re-emerged 1000 years ago, almost as it may still be seen today. | ||
| 650 | |a Art | ||
| 650 | |z Japan | ||
| 904 | |i Hạ Nguyên | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Cần Thơ | ||