An exhibition of theatre prints with a collection of sword
In the Japanese blade this problem has been solved in a completely different way, by hardening only a part of the blade in a narrow strip along the cutting edge. This part of the blade, called the yakiba, is intensely hard and bears an extremely sharp cutting edge; the remainder of the blade is left...
Enregistré dans:
| Format: | Livre |
|---|---|
| Langue: | Undetermined |
| Publié: |
London
Kegan Paul
1972
|
| Sujets: | |
| Tags: |
Ajouter un tag
Pas de tags, Soyez le premier à ajouter un tag!
|
| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
|---|
| LEADER | 00872nam a2200169Ia 4500 | ||
|---|---|---|---|
| 001 | CTU_108240 | ||
| 008 | 210402s9999 xx 000 0 und d | ||
| 082 | |a 709.52 | ||
| 082 | |b E96 | ||
| 245 | 3 | |a An exhibition of theatre prints with a collection of sword | |
| 260 | |a London | ||
| 260 | |b Kegan Paul | ||
| 260 | |c 1972 | ||
| 520 | |a In the Japanese blade this problem has been solved in a completely different way, by hardening only a part of the blade in a narrow strip along the cutting edge. This part of the blade, called the yakiba, is intensely hard and bears an extremely sharp cutting edge; the remainder of the blade is left comparatively soft, and being repeatedly folded during the forging provides a laminated and resilient support for the yakiba. | ||
| 650 | |a Art, japanese | ||
| 904 | |i Nguyên | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Cần Thơ | ||