An exhibition of theatre prints with a collection of sword
In the Japanese blade this problem has been solved in a completely different way, by hardening only a part of the blade in a narrow strip along the cutting edge. This part of the blade, called the yakiba, is intensely hard and bears an extremely sharp cutting edge; the remainder of the blade is left...
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| Formato: | Livro |
|---|---|
| Idioma: | Undetermined |
| Publicado em: |
London
Kegan Paul
1972
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| Assuntos: | |
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
|---|
| LEADER | 00872nam a2200169Ia 4500 | ||
|---|---|---|---|
| 001 | CTU_108240 | ||
| 008 | 210402s9999 xx 000 0 und d | ||
| 082 | |a 709.52 | ||
| 082 | |b E96 | ||
| 245 | 3 | |a An exhibition of theatre prints with a collection of sword | |
| 260 | |a London | ||
| 260 | |b Kegan Paul | ||
| 260 | |c 1972 | ||
| 520 | |a In the Japanese blade this problem has been solved in a completely different way, by hardening only a part of the blade in a narrow strip along the cutting edge. This part of the blade, called the yakiba, is intensely hard and bears an extremely sharp cutting edge; the remainder of the blade is left comparatively soft, and being repeatedly folded during the forging provides a laminated and resilient support for the yakiba. | ||
| 650 | |a Art, japanese | ||
| 904 | |i Nguyên | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Cần Thơ | ||