Marketing the author : Authorial personae, narrative selves, and self-fashioning, 1880-1930
Marketing the Authorlooks at the careers and the writings of a selection of authors writing in the period 1880-1930 (from the fairly unknown Emilia Dilke and Rosamund Watson to literary celebrities like Henry James, James Joyce and Virginia Woolf) who all impersonated identities which they had creat...
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| Tác giả chính: | |
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| Định dạng: | Sách |
| Ngôn ngữ: | Undetermined |
| Được phát hành: |
New York
Palgrave Macmillan
2004
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| Những chủ đề: | |
| Các nhãn: |
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
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| LEADER | 01246nam a2200241Ia 4500 | ||
|---|---|---|---|
| 001 | CTU_116467 | ||
| 008 | 210402s9999 xx 000 0 und d | ||
| 020 | |c 1053000 | ||
| 082 | |a 820.9 | ||
| 082 | |b D383 | ||
| 100 | |a Demoor, Marysa | ||
| 245 | 0 | |a Marketing the author : | |
| 245 | 0 | |b Authorial personae, narrative selves, and self-fashioning, 1880-1930 | |
| 245 | 0 | |c Edited by Marysa Demoor | |
| 260 | |a New York | ||
| 260 | |b Palgrave Macmillan | ||
| 260 | |c 2004 | ||
| 520 | |a Marketing the Authorlooks at the careers and the writings of a selection of authors writing in the period 1880-1930 (from the fairly unknown Emilia Dilke and Rosamund Watson to literary celebrities like Henry James, James Joyce and Virginia Woolf) who all impersonated identities which they had created for themselves. It argues that as a result of the socio-economic changes at the time authors had to remain in control of their public image in order to survive. | ||
| 650 | |a English literature,Authors in literature,Authors and readers,Authorship | ||
| 650 | |x History and criticism,English-speaking countries,History,Marketing | ||
| 650 | |y 20th century,20th century | ||
| 904 | |i Hiếu | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Cần Thơ | ||