The genealogy of aesthetics
Is it body or spirit that makes us appreciate beauty and create art? The distinguished Canadian critic Ekbert Faas argues that, with occasional exceptions like Montaigne and Mandeville, the mainstream of western thinking about beauty from Plato onwards has greatly overemphasized the spirit. This stu...
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| Fformat: | Llyfr |
| Iaith: | Undetermined |
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Cambridge, U.K.,New York
Cambridge University Press
2002
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| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
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| LEADER | 01198nam a2200217Ia 4500 | ||
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| 001 | CTU_159909 | ||
| 008 | 210402s9999 xx 000 0 und d | ||
| 020 | |c 99.99 | ||
| 082 | |a 111.85 | ||
| 082 | |b F111 | ||
| 100 | |a Faas, Ekbert | ||
| 245 | 4 | |a The genealogy of aesthetics | |
| 245 | 0 | |c Ekbert Faas | |
| 260 | |a Cambridge, U.K.,New York | ||
| 260 | |b Cambridge University Press | ||
| 260 | |c 2002 | ||
| 520 | |a Is it body or spirit that makes us appreciate beauty and create art? The distinguished Canadian critic Ekbert Faas argues that, with occasional exceptions like Montaigne and Mandeville, the mainstream of western thinking about beauty from Plato onwards has greatly overemphasized the spirit. This study redresses this imbalance, and offers a radical re-reading of thinkers like Plato, Augustine, Kant, Hegel, Heidegger and Derrida. Professor Faas attacks both the traditional and postmodern consensus, and offers a new pro-sensualist aesthetics, heavily influenced by Nietzsche, that draws on contemporary cognitive science | ||
| 650 | |a Aesthetics,Mỹ học | ||
| 650 | |x History,Lịch sử | ||
| 910 | |a Nguyên | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Cần Thơ | ||