The free fantasia and the musical picturesque
This book brings together music and visual arts, especially the art of landscape gardening, in the context of late eighteenth- and early nineteenth-century English and German culture. The aesthetic of the picturesque, derived from the controlled wilderness of the landscape garden, provided writers o...
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Cambridge
Cambridge University Press
2001
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
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| LEADER | 01295nam a2200241Ia 4500 | ||
|---|---|---|---|
| 001 | CTU_167409 | ||
| 008 | 210402s9999 xx 000 0 und d | ||
| 020 | |c 126 | ||
| 082 | |a 784.1894 | ||
| 082 | |b R514 | ||
| 100 | |a Richards, Annette | ||
| 245 | 4 | |a The free fantasia and the musical picturesque | |
| 245 | 0 | |c Annette Richards | |
| 260 | |a Cambridge | ||
| 260 | |b Cambridge University Press | ||
| 260 | |c 2001 | ||
| 520 | |a This book brings together music and visual arts, especially the art of landscape gardening, in the context of late eighteenth- and early nineteenth-century English and German culture. The aesthetic of the picturesque, derived from the controlled wilderness of the landscape garden, provided writers on music with a language in which to describe the musical genre of the free fantasia, and the picturesque emerges here as a vital means for understanding the fantastical elements in the music of C. P. E. Bach, Haydn, and Beethoven. | ||
| 650 | |a Music,Âm nhạc,Art and music,Nghệ thuật và âm nhạc | ||
| 650 | |x History and criticism,Lịch sử và bình luận | ||
| 650 | |y 18th century,Thế kỷ thứ 18 | ||
| 650 | |z Europe,Châu Âu | ||
| 904 | |i Trọng Hiếu | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Cần Thơ | ||