Chromatic transformations in nineteenth-century music

David Kopps book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann, and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. Drawing on tenets of ninet...

詳細記述

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書誌詳細
第一著者:	Kopp, David
フォーマット:	図書
言語:	Undetermined
出版事項:	Cambridge UK Cambridge University Press 2002
主題:	Music,Chromaticism (Music),Âm nhạc,Harmony,Hòa âm History and criticism,Lịch sử và phê bình,d 19th century,Thế kỷ 19,d
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Thư viện lưu trữ:	Trung tâm Học liệu Trường Đại học Cần Thơ

その他の書誌記述
要約:	David Kopps book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann, and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory, and the authors own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony. The historical and theoretical argument is supplemented by plentiful analytic examples.

Chromatic transformations in nineteenth-century music

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