Chromatic transformations in nineteenth-century music

David Kopps book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann, and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. Drawing on tenets of ninet...

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Chi tiết về thư mục
Tác giả chính:	Kopp, David
Định dạng:	Sách
Ngôn ngữ:	Undetermined
Được phát hành:	Cambridge UK Cambridge University Press 2002
Những chủ đề:	Music,Chromaticism (Music),Âm nhạc,Harmony,Hòa âm History and criticism,Lịch sử và phê bình,d 19th century,Thế kỷ 19,d
Các nhãn:	Thêm thẻ Không có thẻ, Là người đầu tiên thẻ bản ghi này!

Thư viện lưu trữ:	Trung tâm Học liệu Trường Đại học Cần Thơ

Miêu tả
Tóm tắt:	David Kopps book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann, and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory, and the authors own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony. The historical and theoretical argument is supplemented by plentiful analytic examples.

Chromatic transformations in nineteenth-century music

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