Theories of modern art A source book by Artists and Critics
The book porvides the basic theories and concepts of modern art. It begins with the masters of Postimpressionism, Cézanne, Van Gogh, and Gauguin, whose ideas are important foundations for later movements. The content of this book is arranged in chronological order, but this system is occasionally m...
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Ngôn ngữ: | Undetermined |
Được phát hành: |
Berkeley, Los Angeles
Univ. of California Press
1968
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Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
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LEADER | 01267nam a2200229Ia 4500 | ||
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001 | CTU_17885 | ||
008 | 210402s9999 xx 000 0 und d | ||
020 | |b Harvard-Yenching Institute | ||
082 | |a 701.18 | ||
082 | |b C541 | ||
100 | |a Chipp, Hersche B | ||
245 | 0 | |a Theories of modern art | |
245 | 2 | |b A source book by Artists and Critics | |
245 | 0 | |c Hersche B Chipp, Joshua C Taylor, Peter Selz | |
260 | |a Berkeley, Los Angeles | ||
260 | |b Univ. of California Press | ||
260 | |c 1968 | ||
520 | |a The book porvides the basic theories and concepts of modern art. It begins with the masters of Postimpressionism, Cézanne, Van Gogh, and Gauguin, whose ideas are important foundations for later movements. The content of this book is arranged in chronological order, but this system is occasionally modified, as with Gauguin's writings, where certain themes seem important enough to be grouped together. Contemporary artists are listed separately as individuals, in accordance with the nature of their ideas. In all cases the date of writing is considered of primary importance and hence it is always cited when known | ||
650 | |a arts | ||
650 | |x history | ||
904 | |i Minh, 970811 | ||
980 | |a Trung tâm Học liệu Trường Đại học Cần Thơ |