Marxism, past and present
As a painter and a sculptor, an excellent draftsman and a designer, David Gerstein seeks to expand the limits of two-dimensional paintings into three-dimensional sculptures. In his choice of subject matter, he breaks down the existing barriers between the work of art and its audience by creating enc...
Đã lưu trong:
| Tác giả chính: | |
|---|---|
| Định dạng: | Sách |
| Ngôn ngữ: | Undetermined |
| Được phát hành: |
New York
The Macmillan company
1954
|
| Những chủ đề: | |
| Các nhãn: |
Thêm thẻ
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
|---|
| LEADER | 01238nam a2200205Ia 4500 | ||
|---|---|---|---|
| 001 | CTU_227829 | ||
| 008 | 210402s9999 xx 000 0 und d | ||
| 082 | |a 320.5322 | ||
| 082 | |b H939 | ||
| 100 | |a Hunt, R. N. Carew | ||
| 245 | 0 | |a Marxism, past and present | |
| 245 | 0 | |c R. N. Carew Hunt | |
| 260 | |a New York | ||
| 260 | |b The Macmillan company | ||
| 260 | |c 1954 | ||
| 520 | |a As a painter and a sculptor, an excellent draftsman and a designer, David Gerstein seeks to expand the limits of two-dimensional paintings into three-dimensional sculptures. In his choice of subject matter, he breaks down the existing barriers between the work of art and its audience by creating enchanted and straightforward images, which render, at times, intimate, dream-like scenes and at other times, cinemascope-like, large scale, choreographed events. His easily recognizable artistic colorful syntax have developed gradually, reflecting a search for a distinct voice, which ranges from the local to the universal and echoes several levels of representation simultaneously. | ||
| 650 | |a Chủ nghĩa Cộng Sản,Communism | ||
| 650 | |x Lịch sử,History | ||
| 910 | |b dqhieu | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Cần Thơ | ||