Blues people : Negro music in white America
So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what...
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| 格式: | 图书 |
| 语言: | Undetermined |
| 出版: |
New York
Cambridge University Press
1999
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
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| LEADER | 01198nam a2200229Ia 4500 | ||
|---|---|---|---|
| 001 | CTU_231346 | ||
| 008 | 210402s9999 xx 000 0 und d | ||
| 082 | |a 781.643 | ||
| 082 | |b B224 | ||
| 100 | |a Baraka, Amiri | ||
| 245 | 0 | |a Blues people : | |
| 245 | 0 | |b Negro music in white America | |
| 245 | 0 | |c Amiri Baraka | |
| 260 | |a New York | ||
| 260 | |b Cambridge University Press | ||
| 260 | |c 1999 | ||
| 520 | |a So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America -- not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history. | ||
| 650 | |a Điệu Blu (Âm nhạc),Blues (Music) | ||
| 650 | |x History and criticism | ||
| 904 | |i Trúc | ||
| 910 | |a Tuyến | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Cần Thơ | ||