Yokohama : Prints from nineteenth-century Japan

Following its opening to trade with America and Europe in 1859 (after more than two centuries of Japanese isolation), foreigners from the five treaty nations the US, Great Britain, France, Russia, and the Netherlands filled Yokahama, transforming the rural fishing village into a bustling internation...

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Bibliografske podrobnosti
Glavni avtor: Yonemura, Ann
Format: Knjiga
Jezik:Undetermined
Izdano: Washington, D.C. Smithsonian Institution Press 1990
Teme:
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Thư viện lưu trữ: Trung tâm Học liệu Trường Đại học Cần Thơ
LEADER 01307nam a2200229Ia 4500
001 CTU_231520
008 210402s9999 xx 000 0 und d
082 |a 769.49952 
082 |b Y55 
100 |a Yonemura, Ann 
245 0 |a Yokohama : 
245 0 |b Prints from nineteenth-century Japan 
245 0 |c Ann Yonemura 
260 |a Washington, D.C. 
260 |b Smithsonian Institution Press 
260 |c 1990 
520 |a Following its opening to trade with America and Europe in 1859 (after more than two centuries of Japanese isolation), foreigners from the five treaty nations the US, Great Britain, France, Russia, and the Netherlands filled Yokahama, transforming the rural fishing village into a bustling international port. These extraordinary, colorful woodblock prints capture the excitement the harbor, the foreign peoples, and the technological wonders (from sewing machines to locomotives) that were introduced into Japan. Yonemura explores the prints in the context of the historical events that propelled Japan into the modern age. 
650 |a In màu, Nhật Bản,Color prints, Japanese 
650 |x Triển lãm,Exhibitions 
650 |y Thời Meiji, 1868-1912,Meiji period, 1868-1912 
910 |b dqhieu 
980 |a Trung tâm Học liệu Trường Đại học Cần Thơ