Yokohama : Prints from nineteenth-century Japan
Following its opening to trade with America and Europe in 1859 (after more than two centuries of Japanese isolation), foreigners from the five treaty nations the US, Great Britain, France, Russia, and the Netherlands filled Yokahama, transforming the rural fishing village into a bustling internation...
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| Tác giả chính: | |
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| Định dạng: | Sách |
| Ngôn ngữ: | Undetermined |
| Được phát hành: |
Washington, D.C.
Smithsonian Institution Press
1990
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| Những chủ đề: | |
| Các nhãn: |
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
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| LEADER | 01307nam a2200229Ia 4500 | ||
|---|---|---|---|
| 001 | CTU_231520 | ||
| 008 | 210402s9999 xx 000 0 und d | ||
| 082 | |a 769.49952 | ||
| 082 | |b Y55 | ||
| 100 | |a Yonemura, Ann | ||
| 245 | 0 | |a Yokohama : | |
| 245 | 0 | |b Prints from nineteenth-century Japan | |
| 245 | 0 | |c Ann Yonemura | |
| 260 | |a Washington, D.C. | ||
| 260 | |b Smithsonian Institution Press | ||
| 260 | |c 1990 | ||
| 520 | |a Following its opening to trade with America and Europe in 1859 (after more than two centuries of Japanese isolation), foreigners from the five treaty nations the US, Great Britain, France, Russia, and the Netherlands filled Yokahama, transforming the rural fishing village into a bustling international port. These extraordinary, colorful woodblock prints capture the excitement the harbor, the foreign peoples, and the technological wonders (from sewing machines to locomotives) that were introduced into Japan. Yonemura explores the prints in the context of the historical events that propelled Japan into the modern age. | ||
| 650 | |a In màu, Nhật Bản,Color prints, Japanese | ||
| 650 | |x Triển lãm,Exhibitions | ||
| 650 | |y Thời Meiji, 1868-1912,Meiji period, 1868-1912 | ||
| 910 | |b dqhieu | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Cần Thơ | ||