The Japanese sense of beauty
In The Japanese Sense of Beauty, art critic and historian Takashina Shūji reflects on the aesthetic and philosophical sensibilities underlying Japanese art throughout its history, from the earliest calligraphy and painted screens to modern masters like Hishida Shunso and Yokoyama Taikan. Along the...
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Tác giả chính: | |
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Định dạng: | Sách |
Ngôn ngữ: | Undetermined |
Được phát hành: |
Tokyo
Japan Publishing Industry Foundation for Culture
2018
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Những chủ đề: | |
Các nhãn: |
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Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
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LEADER | 01407nam a2200205Ia 4500 | ||
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001 | CTU_236004 | ||
008 | 210402s9999 xx 000 0 und d | ||
082 | |a 709.52 | ||
082 | |b T136 | ||
100 | |a Takashina, Shūji | ||
245 | 4 | |a The Japanese sense of beauty | |
245 | 0 | |c Takashina Shūji ; translated by Matt Treyvaud | |
260 | |a Tokyo | ||
260 | |b Japan Publishing Industry Foundation for Culture | ||
260 | |c 2018 | ||
520 | |a In The Japanese Sense of Beauty, art critic and historian Takashina Shūji reflects on the aesthetic and philosophical sensibilities underlying Japanese art throughout its history, from the earliest calligraphy and painted screens to modern masters like Hishida Shunso and Yokoyama Taikan. Along the way, Takashina explores themes such as the relationship between subjective perspective and “flat” composition and the playful intermingling of word and image throughout the plastic arts of Japan. He also offers fresh critical perspectives on many individual artists, including Takeuchi Seihō, one of the first to fuse traditional techniques with Western realism, and Takahashi Yuichi, who combined a vivid mastery of texture with deceptively traditionalist compositions | ||
650 | |a Mỹ thuật, Nhật bản,Arts, Japanese | ||
904 | |i Bích Trâm, Tuyến | ||
910 | |a Tuyến | ||
980 | |a Trung tâm Học liệu Trường Đại học Cần Thơ |