Art incorporated the story of contemporary art
Stallabrass notes that the spectacular crash of 1989 profoundly changed the character of contemporary art, shattering the art-world's self-importance and producing a reaction against art that engaged with theory and politics, in favor of art that set out to awe, entertain, and be sold. He descr...
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Tác giả chính: | |
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Tác giả khác: | |
Ngôn ngữ: | Undetermined English |
Được phát hành: |
Oxford,New York
Oxford University Press
2004
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Những chủ đề: | |
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Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Trà Vinh |
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LEADER | 01209nam a2200277Ia 4500 | ||
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001 | TVU_11027 | ||
008 | 210423s9999 xx 000 0 und d | ||
020 | |a 0192801651 | ||
020 | |a 9780192801654 | ||
041 | |a eng | ||
082 | |a 709.049 | ||
082 | |b J94 | ||
100 | |a Stallabrass, Julian | ||
245 | 0 | |a Art incorporated | |
245 | 4 | |b the story of contemporary art | |
245 | 0 | |c Julian Stallabrass | |
260 | |a Oxford,New York | ||
260 | |b Oxford University Press | ||
260 | |c 2004 | ||
300 | |a [viii], 229 p. | ||
300 | |b ill. | ||
300 | |c 18 cm | ||
520 | |a Stallabrass notes that the spectacular crash of 1989 profoundly changed the character of contemporary art, shattering the art-world's self-importance and producing a reaction against art that engaged with theory and politics, in favor of art that set out to awe, entertain, and be sold. He describes the growth of biennials and other art events across the globe in the 1990s, the construction of new museums of contemporary art, and the expansion of many museums already in existence | ||
650 | |a Art and society; Freedom and art; Art; Modern | ||
700 | |a Julian Stallabrass | ||
980 | |a Trung tâm Học liệu Trường Đại học Trà Vinh |