Aesthetic creation
More specifically, the function of art is to have certain aesthetic properties in virtue of its non-aesthetic properties, and this function arises because of the artist's insight into the nature of these dependence relations and her intention to bring them about. In defending this view, Zangwil...
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Tác giả chính: | |
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Tác giả khác: | |
Ngôn ngữ: | Undetermined English |
Được phát hành: |
Oxford
Oxford University Press
2007
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Những chủ đề: | |
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Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Trà Vinh |
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LEADER | 01459nam a2200253Ia 4500 | ||
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001 | TVU_11824 | ||
008 | 210423s9999 xx 000 0 und d | ||
020 | |a 0199261873 | ||
020 | |a 9780199261871 | ||
041 | |a eng | ||
082 | |a 701.17 | ||
082 | |b N302 | ||
100 | |a Zangwill, Nick | ||
245 | 0 | |a Aesthetic creation | |
245 | 0 | |c Nick Zangwill | |
260 | |a Oxford | ||
260 | |b Oxford University Press | ||
260 | |c 2007 | ||
300 | |a x, 192 p. | ||
300 | |c 23 cm | ||
520 | |a More specifically, the function of art is to have certain aesthetic properties in virtue of its non-aesthetic properties, and this function arises because of the artist's insight into the nature of these dependence relations and her intention to bring them about. In defending this view, Zangwill provides an account of aesthetic action and aesthetic creative thought and shows how the Aesthetic Creation Theory can accommodate two kinds of seeming counterexamples to aesthetic theories of art: narrative art and twentieth-century avant-garde art. Aesthetic Creation also contains a detailed exposition and critique of a range of rival views, including Dickie's institutional theory of art, accounts of art that make essential reference to an audience, and sociological theories which purport to explain the nature of art without recourse to the notion of the aesthetic | ||
650 | |a Art | ||
700 | |a Nick Zangwill | ||
980 | |a Trung tâm Học liệu Trường Đại học Trà Vinh |