Recognition in Mozart's operas
Since its beginnings, opera has depended on recognition as a central aspect of both plot and theme. Though a standard feature of opera, recognition--a moment of new awareness that brings about a crucial reversal in the action--has been largely neglected in opera studies. In Recognition in Mozart...
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| Tác giả khác: | |
| Ngôn ngữ: | Undetermined English |
| Được phát hành: |
New York
Oxford University Press
2006
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Trà Vinh |
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| LEADER | 01260nam a2200253Ia 4500 | ||
|---|---|---|---|
| 001 | TVU_11999 | ||
| 008 | 210423s9999 xx 000 0 und d | ||
| 020 | |a 0195151976 | ||
| 020 | |a 9780195151978 | ||
| 041 | |a eng | ||
| 082 | |a 782.1092 | ||
| 082 | |b J206 | ||
| 100 | |a Waldoff, Jessica | ||
| 245 | 0 | |a Recognition in Mozart's operas | |
| 245 | 0 | |c Jessica Waldoff | |
| 260 | |a New York | ||
| 260 | |b Oxford University Press | ||
| 260 | |c 2006 | ||
| 300 | |a 337 p. | ||
| 300 | |c 24 cm | ||
| 520 | |a Since its beginnings, opera has depended on recognition as a central aspect of both plot and theme. Though a standard feature of opera, recognition--a moment of new awareness that brings about a crucial reversal in the action--has been largely neglected in opera studies. In Recognition in Mozart's Operas, musicologist Jessica Waldoff draws on a broad base of critical thought on recognition from Aristotle to Terence Cave to explore the essential role it plays in Mozart's operas. The result is a fresh approach to the familiar question of opera as drama and a persuasive new reading of Mozart's operas | ||
| 650 | |a Mozart; Wolfgang Amadeus; 1756-1791. Operas; Opera | ||
| 700 | |a Jessica Waldoff | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Trà Vinh | ||