Nineteenth-century American art
This innovative introduction examines the profession of the nineteenth-century American artist and audience reception of their work. Works of art by familiar names such as Thomas Eakins and Winslow Homer are discussed in detail within the larger arena of visual culture, as are key works by recently...
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Tác giả chính: | |
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Tác giả khác: | |
Ngôn ngữ: | Undetermined English |
Được phát hành: |
New York
Oxford University Press
2000
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Những chủ đề: | |
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Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Trà Vinh |
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LEADER | 01346nam a2200265Ia 4500 | ||
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001 | TVU_12891 | ||
008 | 210423s9999 xx 000 0 und d | ||
020 | |a 0192842250 | ||
020 | |a 9780192842251 | ||
041 | |a eng | ||
082 | |a 709.73 | ||
082 | |b B109 | ||
100 | |a Groseclose, Barbara | ||
245 | 0 | |a Nineteenth-century American art | |
245 | 0 | |c Barbara Groseclose | |
260 | |a New York | ||
260 | |b Oxford University Press | ||
260 | |c 2000 | ||
300 | |a vi, 234 p. | ||
300 | |b ill. | ||
300 | |c 24 cm | ||
520 | |a This innovative introduction examines the profession of the nineteenth-century American artist and audience reception of their work. Works of art by familiar names such as Thomas Eakins and Winslow Homer are discussed in detail within the larger arena of visual culture, as are key works by recently discovered artists such as Harriet Hosmer. The thematic approach focuses on portraiture, landscape painting, the American West, and commemorative art, then goes on to examine the ways in which painters responded to major social and economic changes resulting from the rapid transformation from an agriculturally-based former colony to an industrialized imperial power with an evolving democracy | ||
650 | |a Art; American | ||
700 | |a Barbara Groseclose | ||
980 | |a Trung tâm Học liệu Trường Đại học Trà Vinh |