Byzantine art
Mostly religious in function, but preserving the classicism of Greco-Roman art, Byzantine buildings and art objects communicate the purity and certainties of the public face of early Christian art. Focusing on the art of Constantinople between 330 and 1453, this book probes the underlying motives an...
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| Tác giả chính: | |
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| Tác giả khác: | |
| Ngôn ngữ: | Undetermined English |
| Được phát hành: |
Oxford,New York
Oxford University Press
2000
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| Những chủ đề: | |
| Các nhãn: |
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Trà Vinh |
|---|
| LEADER | 01385nam a2200265Ia 4500 | ||
|---|---|---|---|
| 001 | TVU_13020 | ||
| 008 | 210423s9999 xx 000 0 und d | ||
| 020 | |a 0192842110 | ||
| 020 | |a 9780192842114 | ||
| 041 | |a eng | ||
| 082 | |a 709.0214 | ||
| 082 | |b R418 | ||
| 100 | |a Cormack, Robin | ||
| 245 | 0 | |a Byzantine art | |
| 245 | 0 | |c Robin Cormack | |
| 260 | |a Oxford,New York | ||
| 260 | |b Oxford University Press | ||
| 260 | |c 2000 | ||
| 300 | |a vii, 248 p. | ||
| 300 | |b ill. | ||
| 300 | |c 24 cm | ||
| 520 | |a Mostly religious in function, but preserving the classicism of Greco-Roman art, Byzantine buildings and art objects communicate the purity and certainties of the public face of early Christian art. Focusing on the art of Constantinople between 330 and 1453, this book probes the underlying motives and attitudes of the society which produced such rich and delicate art forms. It examines the stages this art went through as the city progressed from being the Christian center of the Eastern Roman Empire, to its crisis during attack from the new religion of Islam, to its revived medieval splendor and then, after the Latin capture of 1204 and the Byzantine reoccupation after 1261, to its arrival at a period of cultural reconciliation with East and West | ||
| 650 | |a Art; Byzantine | ||
| 700 | |a Robin Cormack | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Trà Vinh | ||