Twentieth century design
The most famous designs of the twentieth century are not those in museums, but in the marketplace. The Coca-Cola bottle and McDonald's logo are known the world over and may tell us more about our culture than a narrowly-defined canon of classics. One of the world's foremost design historia...
Đã lưu trong:
| Tác giả chính: | |
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| Tác giả khác: | |
| Ngôn ngữ: | Undetermined English |
| Được phát hành: |
Oxford,New York
Oxford University Press
1997
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| Những chủ đề: | |
| Các nhãn: |
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Trà Vinh |
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| LEADER | 01706nam a2200265Ia 4500 | ||
|---|---|---|---|
| 001 | TVU_13024 | ||
| 008 | 210423s9999 xx 000 0 und d | ||
| 020 | |a 0192842048 | ||
| 020 | |a 9780192842046 | ||
| 041 | |a eng | ||
| 082 | |a 745.209 | ||
| 082 | |b J430 | ||
| 100 | |a Woodham, Jonathan M. | ||
| 245 | 0 | |a Twentieth century design | |
| 245 | 0 | |c Jonathan M. Woodham | |
| 260 | |a Oxford,New York | ||
| 260 | |b Oxford University Press | ||
| 260 | |c 1997 | ||
| 300 | |a 288 p. | ||
| 300 | |b ill. (some col.) | ||
| 300 | |c 25 cm | ||
| 520 | |a The most famous designs of the twentieth century are not those in museums, but in the marketplace. The Coca-Cola bottle and McDonald's logo are known the world over and may tell us more about our culture than a narrowly-defined canon of classics. One of the world's foremost design historians, Jonathan Woodham takes a fresh look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. Drawing on the most up-to-date scholarship, he explores themes such as national identity, the "Americanization" of ideology and business methods, the rise of multi-nationals, Pop and Postmodernism, and contemporary ideas of nostalgia and heritage. Woodham sets the proliferation of everyday design against the writing of critics as diverse as Nikolaus Pevsner, the champion of Modernism, and Vance Packard, author of The Hidden Persuaders. The history which emerges is clearly seen for what it is: the powerful and complex expression of aesthetic, social, economic, political, and technological forces | ||
| 650 | |a Design | ||
| 700 | |a Jonathan M. Woodham | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Trà Vinh | ||