Themes in the philosophy of music
Representing Stephen Davies's best shorter writings, these essays outline developments within the philosophy of music over the last two decades, and summarize the state of play at the beginning of a new century. Including two new and previously unpublished pieces, they address both perennial qu...
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Ngôn ngữ: | Undetermined English |
Được phát hành: |
Oxford,New York
Oxford University Press
2003
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Những chủ đề: | |
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Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Trà Vinh |
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LEADER | 01287nam a2200265Ia 4500 | ||
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001 | TVU_13091 | ||
008 | 210423s9999 xx 000 0 und d | ||
020 | |a 0199241570 | ||
020 | |a 9780199241576 | ||
041 | |a eng | ||
082 | |a 781.1 | ||
082 | |b St206 | ||
100 | |a Davies, Stephen | ||
245 | 0 | |a Themes in the philosophy of music | |
245 | 0 | |c Stephen Davies | |
260 | |a Oxford,New York | ||
260 | |b Oxford University Press | ||
260 | |c 2003 | ||
300 | |a 283 p. | ||
300 | |b ill. | ||
300 | |c 24 cm | ||
520 | |a Representing Stephen Davies's best shorter writings, these essays outline developments within the philosophy of music over the last two decades, and summarize the state of play at the beginning of a new century. Including two new and previously unpublished pieces, they address both perennial questions and contemporary controversies, such as that over the 'authentic performance' movement, and the impact of modern technology on the presentation and reception of musical works. Rather than attempting to reduce musical works to a single type, Davies recognizes a great variety of kinds, and a complementary range of possibilities for their rendition | ||
650 | |a Music | ||
700 | |a Stephen Davies | ||
980 | |a Trung tâm Học liệu Trường Đại học Trà Vinh |