King Henry VI (Pt. 1)
A fresh look at a play usually regarded as the first component of a three-part historical epic, this edition argues that Henry VI Part 1 is a "prequel," a freestanding piece that returns for ironic and dramatic effect to a story already familiar to its audience. The play's ingenious u...
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Tác giả chính: | |
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Tác giả khác: | |
Ngôn ngữ: | Undetermined English |
Được phát hành: |
London
A & C Black Publishers Ltd
2000
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Những chủ đề: | |
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Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Trà Vinh |
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LEADER | 01570nam a2200253Ia 4500 | ||
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001 | TVU_14702 | ||
008 | 210423s9999 xx 000 0 und d | ||
020 | |a 1903436435 | ||
020 | |a 9781903436431 | ||
041 | |a eng | ||
082 | |a 822.33 | ||
082 | |b E201 | ||
100 | |a Burns, Edward | ||
245 | 0 | |a King Henry VI (Pt. 1) | |
245 | 0 | |c Edward Burns | |
260 | |a London | ||
260 | |b A & C Black Publishers Ltd | ||
260 | |c 2000 | ||
300 | |a xiv, 345 p. | ||
300 | |c 19 cm | ||
520 | |a A fresh look at a play usually regarded as the first component of a three-part historical epic, this edition argues that Henry VI Part 1 is a "prequel," a freestanding piece that returns for ironic and dramatic effect to a story already familiar to its audience. The play's ingenious use of stage space is closely analyzed, as is its manipulation of a series of set-piece combats to give a coherent syntax of action. Discussion of the dramatic structure created by the opposing figures of Talbot and Jeanne la Pucelle, and exploration of the critical controversies and "puzzles" surrounding the figure of Jeanne, lead to a reflection on the nature of the history play as genre in the 1590s. Burns provides notes on his editorial procedure in the section before the play itself. Appendices on names, naming, and wordplay; casting; contemporary adaptations; and military hierarchy and the conduct of war in the age of Henry VI are also included | ||
650 | |a Henry VI; King of England; 1421-1471 | ||
700 | |a Edward Burns | ||
980 | |a Trung tâm Học liệu Trường Đại học Trà Vinh |