CONCEPTUAL METAPHORS EXPRESSING LOVE AND HATRED IN TRINH CONG SON’S AND BOB DYLAN’S SONGS
This study aims at conducting a contrastive analysis of conceptual metaphors expressing love and hatred in Trinh Cong Son’s and Bob Dylan’s songs in the light of cognitive semantics. The data for analysis is taken from approximately 140 songs for both composers with about 360 samples of conc...
محفوظ في:
| المؤلف الرئيسي: | |
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| مؤلفون آخرون: | |
| التنسيق: | أطروحة |
| اللغة: | English |
| منشور في: |
Trường Đại học Ngoại ngữ, Đại học Đà Nẵng
2025
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| الوصول للمادة أونلاين: | https://data.ufl.udn.vn/handle/UFL/1788 |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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| Thư viện lưu trữ: | Trường Đại học Ngoại ngữ - Đại học Đà Nẵng |
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| الملخص: | This study aims at conducting a contrastive analysis of conceptual
metaphors expressing love and hatred in Trinh Cong Son’s and Bob Dylan’s
songs in the light of cognitive semantics. The data for analysis is taken from
approximately 140 songs for both composers with about 360 samples of
conceptual metaphors of love and hatred in total. The qualitative and
quantitative approach are exploited in order to help the researcher achieve the
aims and objectives proposed. The more specifically the similarities and the
differences in expressions of conceptual metaphors of love and hatred in both
composers’ songs are pointed out, the more interesting the discoveries of the
factors (namely culture and religion) affecting the formation of metaphorical
images in these two composers’ songs become.
Besides giving an in-depth understanding of conceptual metaphors of
love and hatred in these two talented composers’ songs, the research is carried
out with the hope of adding the voice to the variety of conceptual metaphors.
In addition, implications of the thesis can be a useful reference for those who
are interested in teaching and learning conceptual metaphors. |
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