24P: Make Your Digital Movies Look Like Hollywood
Table of Contents Copyright Acknowledgments About the Authors Introduction: Empowering a New Generation of Filmmakers Chapter 1. Getting the 24P Mindset What’s the Catch? A Painterly Analogy The Camcorder Revolution Why Bother with 24P? Old Mindsets: News Style and Film S...
Đã lưu trong:
| Những tác giả chính: | , |
|---|---|
| Định dạng: | Sách |
| Ngôn ngữ: | English |
| Được phát hành: |
Course Technology PTR
2011
|
| Truy cập trực tuyến: | http://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/25099 |
| Các nhãn: |
Thêm thẻ
Không có thẻ, Là người đầu tiên thẻ bản ghi này!
|
| Thư viện lưu trữ: | Thư viện Trường Đại học Đà Lạt |
|---|
| id |
oai:scholar.dlu.edu.vn:DLU123456789-25099 |
|---|---|
| record_format |
dspace |
| spelling |
oai:scholar.dlu.edu.vn:DLU123456789-250992011-09-16T09:55:05Z 24P: Make Your Digital Movies Look Like Hollywood Shaner, Pete Jones, Gerald Everett Table of Contents Copyright Acknowledgments About the Authors Introduction: Empowering a New Generation of Filmmakers Chapter 1. Getting the 24P Mindset What’s the Catch? A Painterly Analogy The Camcorder Revolution Why Bother with 24P? Old Mindsets: News Style and Film Style What’s Changed? The New Mindset Chapter 2. The Essence of Film Look What Makes Film Look Like Film? What Are the Options? Putting the 24P Mindset to Work Chapter 3. Thinking Like a Producer Film Out or Film Look? Thinking Through the Film-Look Factors Producer’s Checklist Shoot Test Rolls Chapter 4. Thinking Like a Cinematographer A DP’s View of Camcorder Design and Operation The Ideal of Three-Point Lighting Motivating the Light Source Achieving Acceptable Contrast Range Establishing a Mood Lighting Guidelines for Film-Look DPs Other Techniques for Leading the Eye The Purpose of It All Chapter 5. Thinking Like a Sound Designer DME: The Three Ingredients The Hyperrealism of the Movies Getting Good Production Sound The Audio Postproduction Process Recording ADR Chapter 6. Thinking Like a Director Selecting Material Production Planning and Scheduling Planning Your Shots Graphic Tools for Visualizing the Story Preserving Continuity What’s Your Shooting Ratio? Improvisation, Casting, and Rehearsal Transportation, Setup, and Logistics Controlling the Set Slating and Timecode Getting Elements for Digital Effects It’s All the Director’s Fault Chapter 7. Thinking Like a Veteran Editor An Overview of NLE Technical Editing Issues in 24P Converting from 60I to 24P in Post Using an Edit Decision List (EDL) Editing Hollywood-Style When Is the Final Cut Final? Chapter 8. Thinking Like a Special Effects Wizard Applying Film-Look Filters Manipulating Time and Space The Art and Craft of Combining Imagery Using Analog Video and Film Sources Color Correction The Color Correction Process Achieving Smooth-Scrolling Titles Cooking Up Some Eye Candy If They Asked Us, Could We Write the Book? Chapter 9. Thinking Like a Distributor We Ask Once More: Do You Really Need Film Output? The Economics of Commercial Theatrical Distribution Using a Sales Agent to Approach Distributors What Deliverables Do Distributors Require? Preparing Video Output for Different Distribution Media Printing to Tape Burning a CD Creating Video Files for the Internet Authoring a DVD Archiving Your Project Submitting to Broadcast Television Networks Producing for a Corporation Working with a Film Recording Service Summary of Film-Out Technical Requirements Welcome to Showbiz Chapter 10. Thinking Ahead Seven Predictions About the Future of Digital Filmmaking Inside Back Cover Index 2011-08-30T01:07:38Z 2011-08-30T01:07:38Z 2005 Book 1-59200-599-3 978-1-59200-599-4 http://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/25099 en application/pdf Course Technology PTR |
| institution |
Thư viện Trường Đại học Đà Lạt |
| collection |
Thư viện số |
| language |
English |
| description |
Table of Contents
Copyright
Acknowledgments
About the Authors
Introduction: Empowering a New Generation of Filmmakers
Chapter 1. Getting the 24P Mindset
What’s the Catch?
A Painterly Analogy
The Camcorder Revolution
Why Bother with 24P?
Old Mindsets: News Style and Film Style
What’s Changed?
The New Mindset
Chapter 2. The Essence of Film Look
What Makes Film Look Like Film?
What Are the Options?
Putting the 24P Mindset to Work
Chapter 3. Thinking Like a Producer
Film Out or Film Look?
Thinking Through the Film-Look Factors
Producer’s Checklist
Shoot Test Rolls
Chapter 4. Thinking Like a Cinematographer
A DP’s View of Camcorder Design and Operation
The Ideal of Three-Point Lighting
Motivating the Light Source
Achieving Acceptable Contrast Range
Establishing a Mood
Lighting Guidelines for Film-Look DPs
Other Techniques for Leading the Eye
The Purpose of It All
Chapter 5. Thinking Like a Sound Designer
DME: The Three Ingredients
The Hyperrealism of the Movies
Getting Good Production Sound
The Audio Postproduction Process
Recording ADR
Chapter 6. Thinking Like a Director
Selecting Material
Production Planning and Scheduling
Planning Your Shots
Graphic Tools for Visualizing the Story
Preserving Continuity
What’s Your Shooting Ratio?
Improvisation, Casting, and Rehearsal
Transportation, Setup, and Logistics
Controlling the Set
Slating and Timecode
Getting Elements for Digital Effects
It’s All the Director’s Fault
Chapter 7. Thinking Like a Veteran Editor
An Overview of NLE
Technical Editing Issues in 24P
Converting from 60I to 24P in Post
Using an Edit Decision List (EDL)
Editing Hollywood-Style
When Is the Final Cut Final?
Chapter 8. Thinking Like a Special Effects Wizard
Applying Film-Look Filters
Manipulating Time and Space
The Art and Craft of Combining Imagery
Using Analog Video and Film Sources
Color Correction
The Color Correction Process
Achieving Smooth-Scrolling Titles
Cooking Up Some Eye Candy
If They Asked Us, Could We Write the Book?
Chapter 9. Thinking Like a Distributor
We Ask Once More: Do You Really Need Film Output?
The Economics of Commercial Theatrical Distribution
Using a Sales Agent to Approach Distributors
What Deliverables Do Distributors Require?
Preparing Video Output for Different Distribution Media
Printing to Tape
Burning a CD
Creating Video Files for the Internet
Authoring a DVD
Archiving Your Project
Submitting to Broadcast Television Networks
Producing for a Corporation
Working with a Film Recording Service
Summary of Film-Out Technical Requirements
Welcome to Showbiz
Chapter 10. Thinking Ahead
Seven Predictions About the Future of Digital Filmmaking
Inside Back Cover
Index |
| format |
Book |
| author |
Shaner, Pete Jones, Gerald Everett |
| spellingShingle |
Shaner, Pete Jones, Gerald Everett 24P: Make Your Digital Movies Look Like Hollywood |
| author_facet |
Shaner, Pete Jones, Gerald Everett |
| author_sort |
Shaner, Pete |
| title |
24P: Make Your Digital Movies Look Like Hollywood |
| title_short |
24P: Make Your Digital Movies Look Like Hollywood |
| title_full |
24P: Make Your Digital Movies Look Like Hollywood |
| title_fullStr |
24P: Make Your Digital Movies Look Like Hollywood |
| title_full_unstemmed |
24P: Make Your Digital Movies Look Like Hollywood |
| title_sort |
24p: make your digital movies look like hollywood |
| publisher |
Course Technology PTR |
| publishDate |
2011 |
| url |
http://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/25099 |
| _version_ |
1757658556763471872 |