Drama, theatre, and identity in the American New Republic
Drama, Theatre, and Identity in the American New Republic investigates the way in which theatre both reflects and shapes the question of identity in post-revolutionary American culture. Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, B...
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| Định dạng: | Sách |
| Ngôn ngữ: | English |
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Cambridge University
2013
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| Truy cập trực tuyến: | https://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/34184 |
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oai:scholar.dlu.edu.vn:DLU123456789-341842014-01-20T03:55:41Z Drama, theatre, and identity in the American New Republic Richards, Jeffrey H Theater and society National characteristics Drama, Theatre, and Identity in the American New Republic investigates the way in which theatre both reflects and shapes the question of identity in post-revolutionary American culture. Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theatre is viewed by Richards as a transatlantic hybrid in which British theatrical traditions in writing and acting provide material and templates by which Americans see and express themselves and their relationship to others. Through intensive analyses of plays both inside and outside of the early American 'canon', this book confronts matters of political, ethnic and cultural identity by moving from play text to theatrical context and from historical event to audience demography. 2013-05-31T07:40:12Z 2013-05-31T07:40:12Z 2005 Book https://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/34184 en application/pdf Cambridge University |
| institution |
Thư viện Trường Đại học Đà Lạt |
| collection |
Thư viện số |
| language |
English |
| topic |
Theater and society National characteristics |
| spellingShingle |
Theater and society National characteristics Richards, Jeffrey H Drama, theatre, and identity in the American New Republic |
| description |
Drama, Theatre, and Identity in the American New Republic investigates the way in which theatre both reflects and shapes the question of identity in post-revolutionary American culture. Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theatre is viewed by Richards as a transatlantic hybrid in which British theatrical traditions in writing and acting provide material and templates by which Americans see and express themselves and their relationship to others. Through intensive analyses of plays both inside and outside of the early American 'canon', this book confronts matters of political, ethnic and cultural identity by moving from play text to theatrical context and from historical event to audience demography. |
| format |
Book |
| author |
Richards, Jeffrey H |
| author_facet |
Richards, Jeffrey H |
| author_sort |
Richards, Jeffrey H |
| title |
Drama, theatre, and identity in the American New Republic |
| title_short |
Drama, theatre, and identity in the American New Republic |
| title_full |
Drama, theatre, and identity in the American New Republic |
| title_fullStr |
Drama, theatre, and identity in the American New Republic |
| title_full_unstemmed |
Drama, theatre, and identity in the American New Republic |
| title_sort |
drama, theatre, and identity in the american new republic |
| publisher |
Cambridge University |
| publishDate |
2013 |
| url |
https://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/34184 |
| _version_ |
1819796165770608640 |