The poetry of religious sorrow in early modern England
In early modern England, religious sorrow was seen as a form of spiritual dialogue between the soul and God, expressing how divine grace operates at the level of human emotion. Through close readings of both Protestant and Catholic poetry, Kuchar explains how the discourses of "devout melanchol...
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Định dạng: | Sách |
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Cambridge University
2013
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oai:scholar.dlu.edu.vn:DLU123456789-342372014-01-19T08:19:06Z The poetry of religious sorrow in early modern England Kuchar, Gary English poetry Christian poetry Grief in literature In early modern England, religious sorrow was seen as a form of spiritual dialogue between the soul and God, expressing how divine grace operates at the level of human emotion. Through close readings of both Protestant and Catholic poetry, Kuchar explains how the discourses of "devout melancholy" helped generate some of the most engaging religious verse of the period. From Robert Southwell to John Milton, from Aemilia Lanyer to John Donne, the language of "holy mourning" informed how poets represented the most intimate and enigmatic aspects of faith as lived experience. In turn, "holy mourning" served as a way of registering some of the most pressing theological issues of the day. By tracing poetic representations of religious sorrow from Crashaw's devotional verse to Shakespeare's weeping kings, Kuchar expands our understanding of the interconnections between poetry, theology, and emotion in post-Reformation England. 2013-06-07T01:37:25Z 2013-06-07T01:37:25Z 2008 Book http://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/34237 en application/pdf Cambridge University |
institution |
Thư viện Trường Đại học Đà Lạt |
collection |
Thư viện số |
language |
English |
topic |
English poetry Christian poetry Grief in literature |
spellingShingle |
English poetry Christian poetry Grief in literature Kuchar, Gary The poetry of religious sorrow in early modern England |
description |
In early modern England, religious sorrow was seen as a form of spiritual dialogue between the soul and God, expressing how divine grace operates at the level of human emotion. Through close readings of both Protestant and Catholic poetry, Kuchar explains how the discourses of "devout melancholy" helped generate some of the most engaging religious verse of the period. From Robert Southwell to John Milton, from Aemilia Lanyer to John Donne, the language of "holy mourning" informed how poets represented the most intimate and enigmatic aspects of faith as lived experience. In turn, "holy mourning" served as a way of registering some of the most pressing theological issues of the day. By tracing poetic representations of religious sorrow from Crashaw's devotional verse to Shakespeare's weeping kings, Kuchar expands our understanding of the interconnections between poetry, theology, and emotion in post-Reformation England. |
format |
Book |
author |
Kuchar, Gary |
author_facet |
Kuchar, Gary |
author_sort |
Kuchar, Gary |
title |
The poetry of religious sorrow in early modern England |
title_short |
The poetry of religious sorrow in early modern England |
title_full |
The poetry of religious sorrow in early modern England |
title_fullStr |
The poetry of religious sorrow in early modern England |
title_full_unstemmed |
The poetry of religious sorrow in early modern England |
title_sort |
poetry of religious sorrow in early modern england |
publisher |
Cambridge University |
publishDate |
2013 |
url |
http://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/34237 |
_version_ |
1757676130389721088 |