Romanticism and the Gothic: Genre, reception, and canon formation
Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition...
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| Định dạng: | Sách |
| Ngôn ngữ: | English |
| Được phát hành: |
Cambridge University
2013
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| Truy cập trực tuyến: | http://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/34377 |
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oai:scholar.dlu.edu.vn:DLU123456789-343772014-01-20T03:44:22Z Romanticism and the Gothic: Genre, reception, and canon formation Gamer, Michael English literature Wordsworth Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation. 2013-06-24T07:26:31Z 2013-06-24T07:26:31Z 2000 Book http://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/34377 en application/pdf Cambridge University |
| institution |
Thư viện Trường Đại học Đà Lạt |
| collection |
Thư viện số |
| language |
English |
| topic |
English literature Wordsworth |
| spellingShingle |
English literature Wordsworth Gamer, Michael Romanticism and the Gothic: Genre, reception, and canon formation |
| description |
Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation. |
| format |
Book |
| author |
Gamer, Michael |
| author_facet |
Gamer, Michael |
| author_sort |
Gamer, Michael |
| title |
Romanticism and the Gothic: Genre, reception, and canon formation |
| title_short |
Romanticism and the Gothic: Genre, reception, and canon formation |
| title_full |
Romanticism and the Gothic: Genre, reception, and canon formation |
| title_fullStr |
Romanticism and the Gothic: Genre, reception, and canon formation |
| title_full_unstemmed |
Romanticism and the Gothic: Genre, reception, and canon formation |
| title_sort |
romanticism and the gothic: genre, reception, and canon formation |
| publisher |
Cambridge University |
| publishDate |
2013 |
| url |
http://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/34377 |
| _version_ |
1757678981777195008 |