The Cambridge Introduction to Shakespeare’s Tragedies

Imagine that, as in the current vogue of Saturday night British television, you are watching the Top 100 Shakespearean TragicMoments.What will reach the top five? Macbeth clutching at an imaginary dagger? Lear with Cordelia in his arms? Cleopatra holding the asp to her breast? Juliet falling on R...

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Tác giả chính: Dillon, Janette
Định dạng: Sách
Ngôn ngữ:English
Được phát hành: Apress 2013
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Truy cập trực tuyến:http://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/35406
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spelling oai:scholar.dlu.edu.vn:DLU123456789-354062014-01-19T23:54:30Z The Cambridge Introduction to Shakespeare’s Tragedies Dillon, Janette Introduction Shakespeare Imagine that, as in the current vogue of Saturday night British television, you are watching the Top 100 Shakespearean TragicMoments.What will reach the top five? Macbeth clutching at an imaginary dagger? Lear with Cordelia in his arms? Cleopatra holding the asp to her breast? Juliet falling on Romeo’s body? Number one would surely have to be one of two iconic moments fromHamlet: ‘Alas, poor Yorick’ or ‘To be or not to be’. Do these moments have anything in common that helps us towards a definition of Shakespearean tragedy? The only more or less common factor is perhaps a relentless focus on the solitary individual; but this may be less an effect of Shakespearean tragedy itself than of a post-Romantic way of reading Shakespearean tragedy almost solely through the lens of the tragic hero 2013-09-05T09:14:08Z 2013-09-05T09:14:08Z 2007 Book 978-0-511-27392-6 http://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/35406 en application/pdf Apress
institution Thư viện Trường Đại học Đà Lạt
collection Thư viện số
language English
topic Introduction
Shakespeare
spellingShingle Introduction
Shakespeare
Dillon, Janette
The Cambridge Introduction to Shakespeare’s Tragedies
description Imagine that, as in the current vogue of Saturday night British television, you are watching the Top 100 Shakespearean TragicMoments.What will reach the top five? Macbeth clutching at an imaginary dagger? Lear with Cordelia in his arms? Cleopatra holding the asp to her breast? Juliet falling on Romeo’s body? Number one would surely have to be one of two iconic moments fromHamlet: ‘Alas, poor Yorick’ or ‘To be or not to be’. Do these moments have anything in common that helps us towards a definition of Shakespearean tragedy? The only more or less common factor is perhaps a relentless focus on the solitary individual; but this may be less an effect of Shakespearean tragedy itself than of a post-Romantic way of reading Shakespearean tragedy almost solely through the lens of the tragic hero
format Book
author Dillon, Janette
author_facet Dillon, Janette
author_sort Dillon, Janette
title The Cambridge Introduction to Shakespeare’s Tragedies
title_short The Cambridge Introduction to Shakespeare’s Tragedies
title_full The Cambridge Introduction to Shakespeare’s Tragedies
title_fullStr The Cambridge Introduction to Shakespeare’s Tragedies
title_full_unstemmed The Cambridge Introduction to Shakespeare’s Tragedies
title_sort cambridge introduction to shakespeare’s tragedies
publisher Apress
publishDate 2013
url http://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/35406
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