Science and Sensation in Romantic Poetry
This is a book about the literary uses of sensation in the period of British Romanticism. Its subject is a language that emerges in this period for describing forms of sense experience unique to the poet and to the encounter with poetry. Working from a contemporary understanding of aesthetics as...
Đã lưu trong:
| Príomhúdar: | |
|---|---|
| Formáid: | Leabhar |
| Teanga: | English |
| Foilsithe: |
Cambridge University Press
2013
|
| Rochtain Ar Líne: | https://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/35615 |
| Clibeanna: |
Cuir Clib Leis
Gan Chlibeanna, Bí ar an gcéad duine leis an taifead seo a chlibeáil!
|
| Thư viện lưu trữ: | Thư viện Trường Đại học Đà Lạt |
|---|
| Achoimre: | This is a book about the literary uses of sensation in the period of British
Romanticism. Its subject is a language that emerges in this period for
describing forms of sense experience unique to the poet and to the
encounter with poetry. Working from a contemporary understanding of
aesthetics as a science of aisthesis or sensuous experience, Romantic poets
give shape to a literary practice defined in a close relationship to the contemporary
sciences of physiology and the science of mind, and develop an
aestheticized vocabulary for articulating the social and political ends to
which such scientific knowledge was considered crucial |
|---|