Modernism and World War II
‘Either you had no purpose’, Eliot writes in his wartime Little Gidding, ‘Or the purpose is beyond the end you figured / And is altered in fulfilment’. 2 The work of a poet concluding a career of unparalleled significance, Eliot’s Four Quartets speculate continually about what it would mean to m...
保存先:
| 第一著者: | |
|---|---|
| フォーマット: | 図書 |
| 言語: | English |
| 出版事項: |
Cambridge University Press
2013
|
| 主題: | |
| オンライン･アクセス: | https://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/35651 |
| タグ: |
タグ追加
タグなし, このレコードへの初めてのタグを付けませんか!
|
| Thư viện lưu trữ: | Thư viện Trường Đại học Đà Lạt |
|---|
| 要約: | ‘Either you had no purpose’, Eliot writes in his wartime Little Gidding,
‘Or the purpose is beyond the end you figured / And is altered in fulfilment’.
2 The work of a poet concluding a career of unparalleled significance,
Eliot’s Four Quartets speculate continually about what it would
mean to make a good end, where an end is an objective or a conclusion,
an intended destination or just a termination – and perhaps, but not
necessarily, both. So if I begin this book by saying that its subject is the
end of modernism, I mean ‘end’ in Eliot’s double sense: the end of
modernism signifies both its realisation and its dissolution |
|---|