Race, American Literature and Transnational Modernisms
This book explains how the transnational modernism of Eliot and his avant-garde contemporaries served as a heritage for black poets – not just in the USA but elsewhere in the American hemisphere – and why shared New World history would have made a difference in bringing this about. Although reco...
Đã lưu trong:
| Tác giả chính: | |
|---|---|
| Định dạng: | Sách |
| Ngôn ngữ: | English |
| Được phát hành: |
Cambridge University Press
2013
|
| Những chủ đề: | |
| Truy cập trực tuyến: | https://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/35966 |
| Các nhãn: |
Thêm thẻ
Không có thẻ, Là người đầu tiên thẻ bản ghi này!
|
| Thư viện lưu trữ: | Thư viện Trường Đại học Đà Lạt |
|---|
| id |
oai:scholar.dlu.edu.vn:DLU123456789-35966 |
|---|---|
| record_format |
dspace |
| spelling |
oai:scholar.dlu.edu.vn:DLU123456789-359662014-01-19T23:20:26Z Race, American Literature and Transnational Modernisms Patterson, Anita Race American This book explains how the transnational modernism of Eliot and his avant-garde contemporaries served as a heritage for black poets – not just in the USA but elsewhere in the American hemisphere – and why shared New World history would have made a difference in bringing this about. Although recognizing these intertextual relations is vital, the account I give in the pages that follow is not intended in any way to be exhaustive. My purpose is more general – to reveal the contours of “lyric history” in America, where history inheres in the meaningful articulation of poetic form. 2013-12-18T07:21:58Z 2013-12-18T07:21:58Z 2008 Book 978-0-511-39375-4 https://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/35966 en application/pdf Cambridge University Press |
| institution |
Thư viện Trường Đại học Đà Lạt |
| collection |
Thư viện số |
| language |
English |
| topic |
Race American |
| spellingShingle |
Race American Patterson, Anita Race, American Literature and Transnational Modernisms |
| description |
This book explains how the transnational modernism of Eliot
and his avant-garde contemporaries served as a heritage for black poets –
not just in the USA but elsewhere in the American hemisphere – and
why shared New World history would have made a difference in bringing
this about. Although recognizing these intertextual relations is vital, the
account I give in the pages that follow is not intended in any way to be
exhaustive. My purpose is more general – to reveal the contours of “lyric
history” in America, where history inheres in the meaningful articulation
of poetic form. |
| format |
Book |
| author |
Patterson, Anita |
| author_facet |
Patterson, Anita |
| author_sort |
Patterson, Anita |
| title |
Race, American Literature and Transnational Modernisms |
| title_short |
Race, American Literature and Transnational Modernisms |
| title_full |
Race, American Literature and Transnational Modernisms |
| title_fullStr |
Race, American Literature and Transnational Modernisms |
| title_full_unstemmed |
Race, American Literature and Transnational Modernisms |
| title_sort |
race, american literature and transnational modernisms |
| publisher |
Cambridge University Press |
| publishDate |
2013 |
| url |
https://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/35966 |
| _version_ |
1819777894302351360 |