Doing Film Studies, 1st Edition
Doing Film Studies examines what it really means to study film, encouraging the reader to question the dominant theories as well as understanding the key approaches to cinema. This book provides an overview of the construction of film studies - including its history and evolution - and examines the...
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Routledge
2020
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Truy cập trực tuyến: | https://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/89681 https://doi.org/10.4324/9780203080863 |
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oai:scholar.dlu.edu.vn:DLU123456789-896812023-11-11T05:43:26Z Doing Film Studies, 1st Edition Benyahia, Sarah Casey Mortimer, Claire Education Humanities Doing Film Studies examines what it really means to study film, encouraging the reader to question the dominant theories as well as understanding the key approaches to cinema. This book provides an overview of the construction of film studies - including its history and evolution - and examines the application of theories to film texts. Important questions discussed include: Why does film studies need a canon? What is the relationship between authorship and genre theory? What is screen theory? How do we read a film text? Why is the concept of the spectator important to film? How is film involved in national identity? What is meant by a ‘film industry’? Aimed at students in their final year of secondary education or beginning their degrees, Doing Film Studies equips the reader with the tools needed in approaching the study of film. 2020-05-04T02:48:21Z 2020-05-04T02:48:21Z 2012 Book 9780203080863 https://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/89681 https://doi.org/10.4324/9780203080863 en application/pdf Routledge London |
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Thư viện Trường Đại học Đà Lạt |
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Thư viện số |
language |
English |
topic |
Education Humanities |
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Education Humanities Benyahia, Sarah Casey Mortimer, Claire Doing Film Studies, 1st Edition |
description |
Doing Film Studies examines what it really means to study film, encouraging the reader to question the dominant theories as well as understanding the key approaches to cinema. This book provides an overview of the construction of film studies - including its history and evolution - and examines the application of theories to film texts. Important questions discussed include:
Why does film studies need a canon?
What is the relationship between authorship and genre theory?
What is screen theory?
How do we read a film text?
Why is the concept of the spectator important to film?
How is film involved in national identity?
What is meant by a ‘film industry’?
Aimed at students in their final year of secondary education or beginning their degrees, Doing Film Studies equips the reader with the tools needed in approaching the study of film. |
format |
Book |
author |
Benyahia, Sarah Casey Mortimer, Claire |
author_facet |
Benyahia, Sarah Casey Mortimer, Claire |
author_sort |
Benyahia, Sarah Casey |
title |
Doing Film Studies, 1st Edition |
title_short |
Doing Film Studies, 1st Edition |
title_full |
Doing Film Studies, 1st Edition |
title_fullStr |
Doing Film Studies, 1st Edition |
title_full_unstemmed |
Doing Film Studies, 1st Edition |
title_sort |
doing film studies, 1st edition |
publisher |
Routledge |
publishDate |
2020 |
url |
https://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/89681 https://doi.org/10.4324/9780203080863 |
_version_ |
1782537415839186944 |