Graphic art of Japan : The Classical shool
It is both easy and hard to set to work on a virgin subject. The art of Japan best known in the West has been its prints. These were produced in Tokyo (then called Edo). With Harunobu in 1764 they were developed in full colours, but by the end of the century had already begun to decline in quality,...
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| Autor Principal: | |
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| Formato: | Libro |
| Idioma: | Undetermined |
| Publicado: |
Tokyo
Charles E. Tuttle
1957
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| Những chủ đề: | |
| Các nhãn: |
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| Thư viện lưu trữ: | Trung tâm Học liệu Trường Đại học Cần Thơ |
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| LEADER | 00954nam a2200217Ia 4500 | ||
|---|---|---|---|
| 001 | CTU_108338 | ||
| 008 | 210402s9999 xx 000 0 und d | ||
| 082 | |a 760.952 | ||
| 082 | |b H733 | ||
| 100 | |a Holloway, Owen E. | ||
| 245 | 0 | |a Graphic art of Japan : | |
| 245 | 4 | |b The Classical shool | |
| 245 | 0 | |c Owen E. Holloway | |
| 260 | |a Tokyo | ||
| 260 | |b Charles E. Tuttle | ||
| 260 | |c 1957 | ||
| 520 | |a It is both easy and hard to set to work on a virgin subject. The art of Japan best known in the West has been its prints. These were produced in Tokyo (then called Edo). With Harunobu in 1764 they were developed in full colours, but by the end of the century had already begun to decline in quality, and the landscapes of Hokusai and Hiroshige were only an afterglow of the original inspiration. | ||
| 650 | |a Engraving,Engraving, Japanese | ||
| 650 | |z Japan | ||
| 904 | |i Nguyên | ||
| 980 | |a Trung tâm Học liệu Trường Đại học Cần Thơ | ||