Repossessing the romantic past
How should we repossess the past? Applied to academic writing now about Romantic-period writing, this is a disingenuous question. It presupposes a scholarly field in which antagonistic critical positions are already drawn up in unignorable fashion. New work on British Romanticism is often charac...
Đã lưu trong:
| Tác giả chính: | |
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| Định dạng: | Sách |
| Ngôn ngữ: | English |
| Được phát hành: |
cambridge university press
2013
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| Những chủ đề: | |
| Truy cập trực tuyến: | http://scholar.dlu.edu.vn/thuvienso/handle/DLU123456789/35413 |
| Các nhãn: |
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| Thư viện lưu trữ: | Thư viện Trường Đại học Đà Lạt |
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| Tóm tắt: | How should we repossess the past? Applied to academic writing now about
Romantic-period writing, this is a disingenuous question. It presupposes
a scholarly field in which antagonistic critical positions are already drawn
up in unignorable fashion. New work on British Romanticism is often
characterized as much by its conscious difference from preceding positions
as it is by its take on or choice of material. As a result, writing neglected or
marginalized in one account will be restored to prominence in another. In
fact, for some, such difference has become the point of the critical exercise
itself. The past as we construct it becomes nothing more than a history of
the present. |
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